First of all, it's my son's seventh birthday today! Happy Birthday, dear Alex!
OK, on to the science news articles for this week:
Men's magazine reading, unwanted sexual behaviors linked
A mother lode of wind power: mapping the potential to harvest high-altitude wind
Skin from genetically modified pigs may offer alternative for burn treatment
New sensor could light the way forward in low-cost medical imaging
Sending entangled beams through fast-light materials
Friday, May 30, 2014
Wednesday, May 28, 2014
WisCon 38 Wrapup
It's hard to believe this was my fifteenth WisCon. As always, it passed much too fast, and I was torn in several different directions. Here's the recap:
Alex had a play at school Friday afternoon, so once that and the reception were over, we were able to leave. We arrived in Madison around 5:00, which is earlier than we’ve managed in the last few years. After checking in, I dropped off some books at the Broad Universe table, where I ran into some friends. We went out for dinner and stopped by a chocolate store for dessert, where we saw more friends. However, by the time we got back to the hotel, Alex, Eugene, and I were all pretty tired, so I skipped the opening ceremonies/parties.
I woke up early Saturday morning because that’s just how it is with me. At least I had plenty of time to swim and attend the Farmers’ Market before heading to panels. My panel focus this year was learning about diversity so I can write well-rounded, diverse characters. I was on a panel called What Is Science in Feminist SF, and it went well (though I’m not sure if we answered the question if classifying a work as “soft SF” discriminated against women authors). Then I took my turn at the Broad Universe table for two hours before attending two more panels. They were How to Ally (which was a good panel) and Non-Binary Genders (which proved less helpful than I thought it would be).
For dinner, I had vegetable sushi and gelato with my family, and we also had a family swim before Alex and Eugene retired. I went to the parties, which seemed smaller and quieter this year. The Tor party was noticeably absent. I stopped by the haiku party to exchange a poem for a pair of earrings and give the hostess a copy of Life at Seventeen Syllables a Day. Somehow, I even found the energy to attend a late-night panel on Bisexuals in Science Fiction. By the time it ended at midnight, I was ready for bed.
On Sunday, I attended four panels and participated in the Broad Universe reading. The panels were on The Corporation as Character (OK), Women of Color in SFF (good), Is SFWA (Science Fiction Writers of America) Relevant? (good), and Where Have the Bisexuals Gone? (OK). Since I’m Readings/Events Coordinator for Broad Universe, I had lunch with one of the officers and brainstormed ways to make it easier for members to run tables at other cons. Afterwards, I introduced her to my favorite Madison store, The Soap Opera. For dinner, Eugene, Alex, and I visited local college friends. We had a good time, but we got back so late I missed the GoH speeches. I read the transcripts, which you can find on N.K. Jemisin’s and Hiromi Goto’s blogs.
After packing up Monday morning, I attended a reading (Hard Chargers, featuring women who write hard SF) before participating in the Sign Out. Jemisin was kind enough to sign my hard copy of The Hundred Thousand Kingdoms, and I talked with some other authors as well.
I didn’t make a lot of sales at this con, but I made a couple. I also met some other indie authors, so it’s good to expand my network. Hopefully I’ll be able to attend some more local conventions between now and next WisCon. WisCon, however, will always be my favorite con.
Edited to add: I meant to mention this earlier about the SFWA panel, but they are looking into ways of qualifying indie writers as members. It sounds like it may take a while before they decide to do it, however, and I'm not sure what the delay is. Maybe some members don't want to make it too easy to join. For me personally, I know for a long time joining SFWA was one of my goals as a writer, as a sign that I'd "made it." I don't feel the same way about SFWA anymore; I'd have to see what benefits it would offer me as an indie (or even hybrid author) before deciding to join. But despite the unpleasant incidents in the last couple of years, I'd still consider it. After all, the more people who join SFWA, the more diverse it will be--and hopefully more welcoming to all writers.
Alex had a play at school Friday afternoon, so once that and the reception were over, we were able to leave. We arrived in Madison around 5:00, which is earlier than we’ve managed in the last few years. After checking in, I dropped off some books at the Broad Universe table, where I ran into some friends. We went out for dinner and stopped by a chocolate store for dessert, where we saw more friends. However, by the time we got back to the hotel, Alex, Eugene, and I were all pretty tired, so I skipped the opening ceremonies/parties.
I woke up early Saturday morning because that’s just how it is with me. At least I had plenty of time to swim and attend the Farmers’ Market before heading to panels. My panel focus this year was learning about diversity so I can write well-rounded, diverse characters. I was on a panel called What Is Science in Feminist SF, and it went well (though I’m not sure if we answered the question if classifying a work as “soft SF” discriminated against women authors). Then I took my turn at the Broad Universe table for two hours before attending two more panels. They were How to Ally (which was a good panel) and Non-Binary Genders (which proved less helpful than I thought it would be).
For dinner, I had vegetable sushi and gelato with my family, and we also had a family swim before Alex and Eugene retired. I went to the parties, which seemed smaller and quieter this year. The Tor party was noticeably absent. I stopped by the haiku party to exchange a poem for a pair of earrings and give the hostess a copy of Life at Seventeen Syllables a Day. Somehow, I even found the energy to attend a late-night panel on Bisexuals in Science Fiction. By the time it ended at midnight, I was ready for bed.
On Sunday, I attended four panels and participated in the Broad Universe reading. The panels were on The Corporation as Character (OK), Women of Color in SFF (good), Is SFWA (Science Fiction Writers of America) Relevant? (good), and Where Have the Bisexuals Gone? (OK). Since I’m Readings/Events Coordinator for Broad Universe, I had lunch with one of the officers and brainstormed ways to make it easier for members to run tables at other cons. Afterwards, I introduced her to my favorite Madison store, The Soap Opera. For dinner, Eugene, Alex, and I visited local college friends. We had a good time, but we got back so late I missed the GoH speeches. I read the transcripts, which you can find on N.K. Jemisin’s and Hiromi Goto’s blogs.
After packing up Monday morning, I attended a reading (Hard Chargers, featuring women who write hard SF) before participating in the Sign Out. Jemisin was kind enough to sign my hard copy of The Hundred Thousand Kingdoms, and I talked with some other authors as well.
I didn’t make a lot of sales at this con, but I made a couple. I also met some other indie authors, so it’s good to expand my network. Hopefully I’ll be able to attend some more local conventions between now and next WisCon. WisCon, however, will always be my favorite con.
Edited to add: I meant to mention this earlier about the SFWA panel, but they are looking into ways of qualifying indie writers as members. It sounds like it may take a while before they decide to do it, however, and I'm not sure what the delay is. Maybe some members don't want to make it too easy to join. For me personally, I know for a long time joining SFWA was one of my goals as a writer, as a sign that I'd "made it." I don't feel the same way about SFWA anymore; I'd have to see what benefits it would offer me as an indie (or even hybrid author) before deciding to join. But despite the unpleasant incidents in the last couple of years, I'd still consider it. After all, the more people who join SFWA, the more diverse it will be--and hopefully more welcoming to all writers.
Friday, May 23, 2014
WisCon Schedule and Amazon Sale!
Today I'll be headed to WisCon as I have almost every Memorial Day weekend since 1998. (The exception was 2007, when I was nine months pregnant and forbidden to travel. I had Alex just a couple of days after WisCon ended, so I guess it was a good thing.) Here's my schedule for the weekend:
What is Science in Feminist SF? Sat, 10:00--11:15 am
Broad Universe Reading, Sun, 2:30--3:45 pm
The SignOut, Mon, 11:30--12:45 pm
I also plan to be at the Broad Universe table, though I don't know when yet. If the Broads band together for a meal, I plan to join that too. That will also be scheduled at the convention.
In honor of WisCon, I've decided to hold a weekend sale on three of my eBooks. Lyon's Legacy will be $0.99, Twinned Universes will be $2.99, and Life at Seventeen Syllables a Day: A Journal in Haiku will be free! (The final deal doesn't start until Saturday, but the other two are already available.) This sale will run through Monday, so pick up some reading for your holiday weekend. I'm not sure yet if there will be a BRoP interview Monday, but there will be a WisCon recap either Monday or Wednesday.
What is Science in Feminist SF? Sat, 10:00--11:15 am
Broad Universe Reading, Sun, 2:30--3:45 pm
The SignOut, Mon, 11:30--12:45 pm
I also plan to be at the Broad Universe table, though I don't know when yet. If the Broads band together for a meal, I plan to join that too. That will also be scheduled at the convention.
In honor of WisCon, I've decided to hold a weekend sale on three of my eBooks. Lyon's Legacy will be $0.99, Twinned Universes will be $2.99, and Life at Seventeen Syllables a Day: A Journal in Haiku will be free! (The final deal doesn't start until Saturday, but the other two are already available.) This sale will run through Monday, so pick up some reading for your holiday weekend. I'm not sure yet if there will be a BRoP interview Monday, but there will be a WisCon recap either Monday or Wednesday.
Science of the Week, 5/23/14
Here are some of the most interesting science news stories I read this week:
Illuminating neuron activity in 3D
Scientists discover how to turn light into matter after 80-year quest
New, fossil-fuel-free process makes biodiesel sustainable
The biomechanics behind amazing ant strength
Superhydrophobic material developed that makes water bounce like a ball
Magnetic Levitation Train Could Reach Speeds Of 1,800 Miles Per Hour
Doctors restore motion to a paralyzed hand
Female pigs recognize the sex of sperm
Stay tuned; there's another post coming today.
Illuminating neuron activity in 3D
Scientists discover how to turn light into matter after 80-year quest
New, fossil-fuel-free process makes biodiesel sustainable
The biomechanics behind amazing ant strength
Superhydrophobic material developed that makes water bounce like a ball
Magnetic Levitation Train Could Reach Speeds Of 1,800 Miles Per Hour
Doctors restore motion to a paralyzed hand
Female pigs recognize the sex of sperm
Stay tuned; there's another post coming today.
Wednesday, May 21, 2014
AudaVoxx
I was planning to post my WisCon schedule today, but I think I'll postpone that one until Friday. In the meantime, I recently discovered AudaVoxx, a service for audiobook lovers and authors with audiobooks.
AudaVoxx is going to send out weekly newsletters about audiobooks. The newsletters will be broken down by genre and vetted for quality (based on the audiobook/eBook reviews). There may also be giveaways listed. If you want to receive the newsletter, you can sign up here. And if you're an author or audiobook producer, you can take out an ad in the newsletter. Go here first to read the requirements, then click here to submit an ad. As an introductory offer, all ads booked before May 30th are free, so go ahead and give it a try!
AudaVoxx is going to send out weekly newsletters about audiobooks. The newsletters will be broken down by genre and vetted for quality (based on the audiobook/eBook reviews). There may also be giveaways listed. If you want to receive the newsletter, you can sign up here. And if you're an author or audiobook producer, you can take out an ad in the newsletter. Go here first to read the requirements, then click here to submit an ad. As an introductory offer, all ads booked before May 30th are free, so go ahead and give it a try!
Monday, May 19, 2014
Blog Ring of Power--Ripley Patton
Today on the Blog Ring of Power we have Ripley Patton, author of Ghost Hand and Ghost Hold. She's currently running a Kickstarter to help her publish the third book in the series, Ghost Heart, and you can check it out HERE. This is the first part of her interview; you can find the rest of it at the following links:
The Writing LifeThe Creative Process
About Your Current Work
Words of Wisdom
How long have you been writing?I started writing for publication in 2005, mostly short stories, and sold my first story that year. I loved the way short story writing allowed me to experiment with genre, form, craft, and style, all without the huge commitment of a novel-length work. It was my literary playground and I romped happily in it for five years, publishing over 25 stories in online and print magazines and anthologies. I even won a Sir Julius Vogel Award for Best Short Story 2009. But ultimately, I wanted to make a living at writing, so I decided to turn my attention to longer works of fiction. I've been writing novels now for four years and I love it.
Tell us about your early works—what was the first thing you ever wrote?
I wrote my first poem when I was thirteen. It was titled "When She Dies, She Flies," and was one way I processed the death of my mother to terminal cancer. I still have it on the original yellowed paper in my swirly teen handwriting. I wrote a lot of poetry as a teenager and that was when I learned that writing makes meaning. It creates order out of chaos and beauty out of pain. Now, I understand that poetry is the gateway drug to other writing. Almost every writer I know started as a poet and it escalated from there.
When did you first consider yourself a professional writer?
I remember the exact moment I decided to BE a writer, to call myself that and not let anyone call me anything else. I was walking in the woods at my parent's house beside my older brother. And I just suddenly realized I was going to do it, so I told him. "I've decided to be a writer. I'm not going back to that other thing that makes me money." And he said something doubtful, but I don't even remember what he said, because it didn't matter. I wasn't telling him. I was telling me.
What genre do you write?
My short stories vary in genre from sci-fi, to fantasy, to literary. However, my fiction series, The PSS Chronicles, is young adult paranormal fiction. One reason I write YA is because I love to read it. I love its unassuming voice, its sense of humor, its innocence and energy and fearlessness to tackle current issues. I think because I started writing at thirteen, that is how old my writer self is and she really likes those stories about people her age.
What is your favorite theme/genre to write about?
I tend to write about death, fear, and loss. These are all things I experienced at a young age, as I think many young people do, and grappling with them in the fictional realm helped me grapple with them in the real world. I've heard people complain that YA has gotten dark, and that is a bad thing. But I think YA has always had its dark side. Crossing over from childhood to adulthood isn't easy. In fact, it's damn hard. And our young people are dealing with darker stuff than my generation had to. Why wouldn't we write that into our stories and give them a safe place to wrestle their demons?
GHOST HAND: Seventeen-year-old Olivia Black has a rare birth defect known as Psyche Sans Soma, or PSS. Instead of a right hand made of flesh and blood, she was born with a hand made of ethereal energy.
How does Olivia handle being the girl with the ghost hand? Well, she’s a little bit morbid and a whole lot snarky.
Her mother thinks her obsession with death, black
clothing, and the local cemetery is a bid for attention. But when
Marcus, the new guy in Olivia’s calculus class, stares at her like she’s
a freak, Olivia doesn’t like it. And when her hand goes rogue, doing
things she never imagined possible, Olivia finds herself running for her
life with Marcus from a group of men bent on taking the power of her
hand for their own nefarious purposes.
GHOST HOLD: Olivia Black is back.
Only this time she’s not the one in need of rescue.
Samantha James, rich, popular, and an award-winning
composer at age seventeen, is the next target on the CAMFers’ list. In
order to convince Samantha to come with them, Olivia and Passion must
pose as cousins, blend into the most affluent high school in
Indianapolis, and infiltrate a mysterious cult known as The Hold.
Olivia doesn’t expect it to be easy, even with the PSS
guys backing them up. But what she discovers over the course of the
mission will call into question everything she ever believed about
herself, her family, and especially about Marcus, the guy she is
undoubtedly falling in love with.
You can find Ripley at the following links:
Blog:
Friday, May 16, 2014
Science of the Week, 5/16/14
Here are some of the most interesting science news stories I read this week:
Study confirms mitochondrial deficits in children with autism
1 in 5 people carries gene for better cognition
FDA approves first prosthetic arm that translates muscle signals to perform complex tasks
Most Europeans to be fatties by 2030
HADES searches for dark matter
Short men may live longer (so yes, short people do have a reason to live)
Cancer knocked out by measles vaccine
Have a good weekend, everyone, and I'll see you on Monday.
Study confirms mitochondrial deficits in children with autism
1 in 5 people carries gene for better cognition
FDA approves first prosthetic arm that translates muscle signals to perform complex tasks
Most Europeans to be fatties by 2030
HADES searches for dark matter
Short men may live longer (so yes, short people do have a reason to live)
Cancer knocked out by measles vaccine
Why Monstrously Large Insects And Spiders Don't Exist
Read more at http://www.iflscience.com/plants-and-animals/why-monstrously-large-insects-and-spiders-dont-exist#CzjV4v1Bu6laqVVv.99
Why monstrously large insects and spiders don't existRead more at http://www.iflscience.com/plants-and-animals/why-monstrously-large-insects-and-spiders-dont-exist#CzjV4v1Bu6laqVVv.99
Have a good weekend, everyone, and I'll see you on Monday.
Wednesday, May 14, 2014
Submission Call--First Annual Indie-pendence Day Anthology
This is a repost from Indie Writers Monthly.
Announcing the first ever
COMING ON THE FOURTH OF JULY, it's the first-ever anthology of stories by indie writers to bear the INDIE WRITERS MONTHLY stamp of approval*, and we want YOU to be a part of it.
The anthology is going to be a collection of stories about Time Travel, and here is HOW YOU CAN GET IN ON THIS:
A. Have a story about time travel, or write one.
2. Submit that story to us, by June 15, 2014. (send submissions to litaplaceforstories[at]gmail.com** and label them "IWM TIME TRAVEL ANNUAL" or something like that.)
THIS IS IMPORTANT: paste the story directly into the of the email.
I'M NOT OPENING ATTACHMENTS.
III. Make sure you have the rights to the stories and it'd be nice if it hadn't been published somewhere else.
Word
limits? Who do you think you're talking to, here? Because there'll only
be a few weeks to read them, shoot for somewhere between 1 and 1,000
words, but if you go longer, by all means, go longer.
Still reading? Good. Here is WHY you want to get in on this!
8(a)2.: The stories we like the best will get put into the anthology and you'll be a published writer!
and
C: There are prizes! Specifically, the story picked as best by the IWM gang will win a $15 Amazon Gift Card and the Runner Up will get a $10 Amazon Gift Card.
So there you have it! I look forward to getting those stories.
PSST? Want to read some of my own time-travel stories? Check out
"the natural order of things is largely determined by what direction we are headed and how fast," or
HEADLINE: “Time Travel Is Only Possible In One Direction, Scientists Say.” Subhead: “Balderdash,” Tim says.
And here's a link to five 250-word time travel stories (and an essay on another one)
Monday, May 12, 2014
Blog Ring of Power: C.J. Pinard
We're back with another Blog Ring of Power interview, this time with C.J. Pinard. You can find the other parts of the interview at the following links:About You
The Creative Process
About Your Current Work
Words of Wisdom
What is your writing process? Do you follow a regular routine? Do you use pen and paper or computer? Work at home or at the library/Starbucks, etc.
I work at home, late at night, on my laptop (with connected keyboard). I have an office in the downstairs area of my house and I write after my kids are in bed. I have to have music, and not just one specific type. It depends on my mood.
How do you balance writing with other aspects of your life?
This is tough, I have a fulltime job and two kids at home, so like I said before, I’m usually writing late at night.
How much time per day do you spend on your writing?
I try to devote 1-2 hours. Sometimes I do more, sometimes I don’t do any at all.
Other than your family, what has been your greatest source of support?
Honestly? Other authors. Nobody understands this process like a fellow author. I have three or four I talk to regularly about books and publishing, and they’ve become good friends and confidantes and a huge help. They’re invaluable, actually.
How do you deal with rejection and/or negative reviews?
No author likes negative reviews. Some can be helpful though. It’s the ones that are mean or insult the author that are harder to deal with (and usually uncalled for). That being said, I don’t expect everyone to like everything I write, and negative reviews come with the territory. They used to bother me, but now not so much.

C.J. is a west coast native who has lived on both coasts and now lives near the middle, in Colorado! Coming from a family of writers and editors, she feels writing is in her blood and hopes people will lose themselves for a little while in the fantasy and fun of her stories. She also loves sweet red wine, the SF 49ers, and unlike most authors, doesn't have any cats. When she's not writing, she can be found chasing around her kids or working at her day job, which she totally feels interferes with life, but it also sometimes gives her inspiration for her books, since reality usually is way more interesting than fiction.Blog
Facebook page
Goodreads author page
Amazon Author Page
Smashwords Author Page
When 21-year-old Nolan Bishop meets a seductive woman named Eva at a dark club in downtown Shreveport, Louisiana, little does he know his soul will be gone as soon as she is. Realizing she’s taken something from him, he finds out he has a very limited time to destroy her before he turns into something sinister and inhuman. In a race against all that is holy, Nolan has to find Eva and get his soul back while trying not to fall in love with Charity, the twin sister of the succubus who took his soul – all in seven days.
Friday, May 09, 2014
Science of the Week, 5/9/14
Here are some of the most interesting science news articles I read this week:
Promising solution to plastic pollution
Climate change may worsen summertime ozone pollution
Astronomers harness the galaxy's biggest telescope
Newly found dinosaur is long-nosed cousin of T. rex
Controlling fear by modifying DNA
Yawning to cool the brain
Detecting fetal chromosomal defects without risk
Earth's hardy little space travelers could colonize Mars
Aged brains and muscles in mice made younger with GDF11
(you've probably already read about the last story in the news this week)
Report: How climate change impacts America
The May issue of Indie Writers Monthly should be free by now. You can download it (and read my latest short story) HERE.
Have a good weekend, and I'll see you on Monday.
Promising solution to plastic pollution
Climate change may worsen summertime ozone pollution
Astronomers harness the galaxy's biggest telescope
Newly found dinosaur is long-nosed cousin of T. rex
Controlling fear by modifying DNA
Yawning to cool the brain
Detecting fetal chromosomal defects without risk
Earth's hardy little space travelers could colonize Mars
Aged brains and muscles in mice made younger with GDF11
(you've probably already read about the last story in the news this week)
Report: How climate change impacts America
The May issue of Indie Writers Monthly should be free by now. You can download it (and read my latest short story) HERE.
Have a good weekend, and I'll see you on Monday.
Thursday, May 08, 2014
May Issue of Indie Writers Monthly Free 5/8--5/13
The May issue of Indie Writers Monthly is out! This month's theme is flowers, so the issue includes a new short story written by me just for this issue. (Set in the Season Avatars universe, the story features Jenna, a Summer Avatar who serves the God of Summer and has plant magic.) Also included is an interview with Pat Dilloway, tips on how to get more ideas, sites that will pay you for writing, and more. The issue is scheduled to be free from May 8th to May 13, so please go here to order it.
Update: Sorry, it's not free yet, but I will post when it does go free. If you can't wait, the issue is only $0.99 normal price.
Update: Sorry, it's not free yet, but I will post when it does go free. If you can't wait, the issue is only $0.99 normal price.
Wednesday, May 07, 2014
Hard Science in Science Fiction
One of the programs I'm going to be on at WisCon Memorial Day weekend is called "What is Science in Feminist SF?" Here's the program description:
When we argue about whether women write more fantasy than SF, are we assuming a particular definition of science that should be questioned? And are we also applying gender bias when we assess the "hardness" of SF by men and women?
I thought it would be useful to get some ideas from other readers and writers as to what works they consider hard science fiction. Does it matter which science is featured in the book? For example, is physics always a "harder" science than biology? (Here, hardness doesn't refer to how difficult the subject matter is but how rigorous and accurate the science is in the book.) What are your favorite examples of hard science fiction books? How important is "hardness" in your decision to read a particular book? Does it affect how much you enjoy the book or science fiction in general?
When we argue about whether women write more fantasy than SF, are we assuming a particular definition of science that should be questioned? And are we also applying gender bias when we assess the "hardness" of SF by men and women?
I thought it would be useful to get some ideas from other readers and writers as to what works they consider hard science fiction. Does it matter which science is featured in the book? For example, is physics always a "harder" science than biology? (Here, hardness doesn't refer to how difficult the subject matter is but how rigorous and accurate the science is in the book.) What are your favorite examples of hard science fiction books? How important is "hardness" in your decision to read a particular book? Does it affect how much you enjoy the book or science fiction in general?
Monday, May 05, 2014
Using Adverbs Wisely
The Blog Ring of Power will return in a week or two, as soon as we can get them scheduled. If you're a science fiction or fantasy writer and are interested in being featured, please contact me. You can be either traditionally published or indie published, but we'd prefer authors who are new to BRoP. It might be best to e-mail me (see the e-mail address in the right-hand panel), since connecting Blogger and Google had the unfortunate side effect of making the comments harder to find. (You can still see them if you click on the right link, but they're all done through Google now.)
In the meantime, I thought I'd discuss the part of speech every author is taught to hate. I write, of course, of the dreaded adverb. We're all taught that using adverbs is a sign of lazy verbs and that we should ruthlessly expunge the adverbs from our writing. But is that always the case? Sometimes an adverb can give nuance to a verb or counter the verb's meaning. The best examples I can think of off the top of my head are instances like "frown gently" or "smile sadly." It's hard to capture the emotions behind this type of body language with a single word.
On the other hand, there are instance where an adverb seems superfluous, but is still used. For instance, one adverb I've been noticing a lot lately is "visibly." It's often used when a character other than the viewpoint character uses nonverbal gestures. For instance, someone might "shrug visibly." Maybe the adverb is meant to indicate that the POV character is watching this happen, but to me as a reader, I already know that and therefore find the adverb distracting. In fact, this adverb inspired this post.
I don't think the entire collection of adverbs needs to be discarded from a writer's vocabulary. I often use them myself, particularly when I'm blogging. But like every other word in a story, they need to earn their place. Does the meaning of the sentence change if the adverb is removed or if another verb is used? Does the adverb tell the reader something he or she should already know? Does the word contribute to the overall style or tone of the story? How many adverbs have been used already? Using a lot of them will give the story a different feel than using few or none.
How do you feel about adverbs? Do you have any pet peeves about them, either as an author or a reader?
In the meantime, I thought I'd discuss the part of speech every author is taught to hate. I write, of course, of the dreaded adverb. We're all taught that using adverbs is a sign of lazy verbs and that we should ruthlessly expunge the adverbs from our writing. But is that always the case? Sometimes an adverb can give nuance to a verb or counter the verb's meaning. The best examples I can think of off the top of my head are instances like "frown gently" or "smile sadly." It's hard to capture the emotions behind this type of body language with a single word.
On the other hand, there are instance where an adverb seems superfluous, but is still used. For instance, one adverb I've been noticing a lot lately is "visibly." It's often used when a character other than the viewpoint character uses nonverbal gestures. For instance, someone might "shrug visibly." Maybe the adverb is meant to indicate that the POV character is watching this happen, but to me as a reader, I already know that and therefore find the adverb distracting. In fact, this adverb inspired this post.
I don't think the entire collection of adverbs needs to be discarded from a writer's vocabulary. I often use them myself, particularly when I'm blogging. But like every other word in a story, they need to earn their place. Does the meaning of the sentence change if the adverb is removed or if another verb is used? Does the adverb tell the reader something he or she should already know? Does the word contribute to the overall style or tone of the story? How many adverbs have been used already? Using a lot of them will give the story a different feel than using few or none.
How do you feel about adverbs? Do you have any pet peeves about them, either as an author or a reader?
Friday, May 02, 2014
Science of the Week, 5/2/14
Here are some of the most interesting science news articles I read this week:
Birds adapting to Chernobyl's radiation
Star is discovered to be a close neighbor of the sun and the coldest of its kind
Researchers discover the seat of sex and violence in the brain
Extracting energy from wastewater
NASA Spinoff 2013 shows how much space is in our lives
NASA seeks ideas for mission to oceanic Jovian moon
Search for life on exoplanets more difficult than thought
Caltech's Cosmic Web Imager directly observes "dim matter"
Chronic stress makes food make you fatter
Among wasps, bigger eyes evolved the better to see social cues
Crocodile tears please thirsty butterflies and bees
Smallest, most precise 3D printing pen yet nearing entry to market
Have a good weekend, everyone, and see you on Monday!
Birds adapting to Chernobyl's radiation
Star is discovered to be a close neighbor of the sun and the coldest of its kind
Researchers discover the seat of sex and violence in the brain
Extracting energy from wastewater
NASA Spinoff 2013 shows how much space is in our lives
NASA seeks ideas for mission to oceanic Jovian moon
Search for life on exoplanets more difficult than thought
Caltech's Cosmic Web Imager directly observes "dim matter"
Chronic stress makes food make you fatter
Among wasps, bigger eyes evolved the better to see social cues
Crocodile tears please thirsty butterflies and bees
Smallest, most precise 3D printing pen yet nearing entry to market
Have a good weekend, everyone, and see you on Monday!
Thursday, May 01, 2014
#WeNeedDiverseBooks Because....
I've shifted my blogging schedule slightly this week from Wednesday to Thursday to participate in the #WeNeedDiverseBooks Campaign.If you haven't heard of it, it's a social media movement calling for more diversity in children's literature, both in characters and in authors. You can find out more information here. The traditional publishing industry does not have the best track record when it comes to promoting diversity. Bookcon recently put together a panel of "the world's biggest children's authors" that was all white men. Despite protest, it's unclear if Bookcon will add any women or minority authors to this panel. Some books have been turned down for featuring characters that aren't "marketable" enough, and even when books with protagonists of color get traditionally published, sometimes the covers get whitewashed. (Here's one well-known example from a few years ago.)
The sad thing about these attempts to exclude diverse characters from children's fiction is that the youngest generation will not see itself reflected in these stories. According to the Publisher's Weekly article I linked to earlier, fifty percent of all U.S. children under the age of five are non-white. The fiction they grow up with needs to reflect, even celebrate, their reality.
In addition to needing a diverse group of characters and stories, we need diverse authors with firsthand experience of different cultures and backgrounds to tell these stories. I include characters of different racial and ethnic backgrounds in my work, but it's not always easy to do so accurately. For example, the next story in my SF Catalyst Chronicles series will feature Julia Kee, a minor character from Twinned Universes. I originally created the character as white, but when I changed her background, she became part Navajo. (Her father is pure Navajo, and her mother is also Hispanic and Scottish.) While I'm doing my best to research Navajo culture, I know I won't be able to use a lot of telling, authentic details because I'm outside of this culture. That said, I don't want to change Julia back, as she feels more vivid to me now, and I don't believe in writing an all-white future either. Still, there's obviously a need for authors who can write about other cultures from personal experience.
As an indie author, I think self-publishing provides opportunities for people from all walks of life to become authors and reach the audiences traditional publishing may overlook, either out of ignorance or because niche audiences aren't profitable enough for them. I hope as more writers and readers gain comfort with self-published work, diversity will be easier to find. But in the meantime, Stan the T-Rex and Oscar the (small) Orca, along with some of their friends, explain why we need diverse books:
The sad thing about these attempts to exclude diverse characters from children's fiction is that the youngest generation will not see itself reflected in these stories. According to the Publisher's Weekly article I linked to earlier, fifty percent of all U.S. children under the age of five are non-white. The fiction they grow up with needs to reflect, even celebrate, their reality.
In addition to needing a diverse group of characters and stories, we need diverse authors with firsthand experience of different cultures and backgrounds to tell these stories. I include characters of different racial and ethnic backgrounds in my work, but it's not always easy to do so accurately. For example, the next story in my SF Catalyst Chronicles series will feature Julia Kee, a minor character from Twinned Universes. I originally created the character as white, but when I changed her background, she became part Navajo. (Her father is pure Navajo, and her mother is also Hispanic and Scottish.) While I'm doing my best to research Navajo culture, I know I won't be able to use a lot of telling, authentic details because I'm outside of this culture. That said, I don't want to change Julia back, as she feels more vivid to me now, and I don't believe in writing an all-white future either. Still, there's obviously a need for authors who can write about other cultures from personal experience.
As an indie author, I think self-publishing provides opportunities for people from all walks of life to become authors and reach the audiences traditional publishing may overlook, either out of ignorance or because niche audiences aren't profitable enough for them. I hope as more writers and readers gain comfort with self-published work, diversity will be easier to find. But in the meantime, Stan the T-Rex and Oscar the (small) Orca, along with some of their friends, explain why we need diverse books:
Monday, April 28, 2014
Blog Ring of Power--Mercedes Yeardley
Today for the Blog Ring of Power, Mercedes Yeardley will tell us about her current work: Nameless, The Darkness Comes. You can find the rest of her interview at these links:About You : The Writing Life : The Creative Process : Words of Wisdom
Tell us about your new book and when it is out? Where can people purchase it?

MMY: My debut novel titled Nameless: The Darkness Comes was just released in January. I’m so excited! It’s the first book in The Bone Angel trilogy, and the next two books come out in January of 2015 and 2016, respectively. It’s an urban fantasy book about a woman named Luna who can see demons. It touches on quite a few realistic subjects including depression, insanity, drug use, etc, but still manages to be funny.
Is there anything new, unusual, or interesting about your book? How is it different from other
books on the same subject?
MMY: It differs in a couple of ways. Luna deals with the demonic, certainly, but she isn’t a demon slayer. She doesn’t always keep her cool and go after things with a katana. She just wants to be left alone. She bites her fingernails. She wears old rock band tees. She isn’t attached to anyone or anything…except her motorcycle, brother, and niece. Everyone else can go hang.
The other difference is that there’s a very heavy dose of humor. Luna uses her sense of humor to keep the horrors at bay. I find that the people who deal with the darkest things have the wickedest sense of humor. It keeps the book light enough that readers are able to finish it. It’s quite dark, otherwise.
What was the hardest part of writing this book?
MMY: I was pregnant with triplets and lost two of them. The third was in NICU for several months. I had to stop writing the book to focus on life for a while. That was difficult, but the book was such a joy to return to. It also helped me cope with the loss. In the book, a little girl goes missing. I found that I was able to work through some of my own pain while Luna explored hers. So it was very therapeutic, in a way. I feel like Luna and her gang have become my friends.
What was your favorite chapter (or part) to write and why?
MMY: I loved writing the House of Horrors. It’s a nexus of evil. There are some particularly disturbing scenes in that section (so I am told) and I’m quite proud of them. They were all based on dreams that I’ve had. I write them down in a notebook and keep them for future use. The starfish, the thing swimming under the stone, the girl with her pendant? All of those came from Mercedes nightmares. I feel like I’m taking something negative and forcing it to work for me.
Tell us about your book’s cover – where did the design come from and what was the design process like?

MMY: George Cotronis did the design. He’s so fabulous! He also did the cover for my novella titled Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love. He has this style that’s really surreal and gritty while being clean and messy at the same time. I can’t explain it. But I wrote up a few things about the story, described Luna to him, and left him alone to create. He came up with this gorgeous, dark cover that nails the feeling of the story perfectly. George captures essence rather than actual scenes. It’s one of the things that makes his covers sparkle so well. Then JM Martin does the font and pulls everything together. People have had wonderful things to say about the Nameless cover, and I couldn’t be more pleased with it.
Mercedes M. Yardley wears stilettos, red lipstick, and poisonous flowers in her hair. She likes to do a little bit of everything, and writes dark fantasy, horror, nonfiction, and poetry. Mercedes minored in Creative Writing and worked as a contributing editor for Shock Totem Magazine. She is the author of the short story collection Beautiful Sorrows, the novella Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love and her debut novel Nameless: The Darkness Comes, which is the first book in THE BONE ANGEL TRILOGY. She often speaks at conferences and teaches workshops on several subjects, including personal branding and how to write a novel in stolen moments. Mercedes lives and works in Sin City, and you can reach her at www.mercedesyardley.com.
Blog: Facebook page: Goodreads author page: Twitter:@mercedesmy : Amazon Author Page:
Ragnarok Publications page:
Luna Masterson sees demons. She has been dealing with the demonic all her life, so when her brother gets tangled up with a demon named Sparkles, ‘Luna the Lunatic’ rolls in on her motorcycle to save the day.
Armed with the ability to harm demons, her scathing sarcasm, and a hefty chip on her shoulder, Luna gathers the most unusual of allies, teaming up with a green-eyed heroin addict and a snarky demon ‘of some import.’
After all, outcasts of a feather should stick together...even until the end.
Goodreads:
Amazon:
BarnesandNoble:
Friday, April 25, 2014
Science of the Week, 4/25/14
Here are some of the most interesting science news articles I read this week. Actually, the top story hasn't been confirmed yet, but if it is, it'll be one of the most important scientific discoveries ever:
A better than 50/50 chance Kepler-186f has technological life
A new key to unlocking the mysteries of physics? Quantum turbulence
Brain size matters when it comes to animal self-control
Superconducting qubit array points the way to quantum computers
The science behind Game of Thrones
Brain stimulator offers hope for individuals with uncontrolled epilepsy
Liquid spacetime: a very slippery superfluid, that's what spacetime could be like
"Dressed" laser aimed at clouds may be key to inducing rain, lightning
A biological engine for human language
Warp drive research key to interstellar travel
Have a good weekend, and I'll see you on Monday!
A better than 50/50 chance Kepler-186f has technological life
A new key to unlocking the mysteries of physics? Quantum turbulence
Brain size matters when it comes to animal self-control
Superconducting qubit array points the way to quantum computers
The science behind Game of Thrones
Brain stimulator offers hope for individuals with uncontrolled epilepsy
Liquid spacetime: a very slippery superfluid, that's what spacetime could be like
"Dressed" laser aimed at clouds may be key to inducing rain, lightning
A biological engine for human language
Warp drive research key to interstellar travel
Have a good weekend, and I'll see you on Monday!
Wednesday, April 23, 2014
Facts for Fiction: The Geography of Nowhere
Since I read so much nonfiction, I'm starting a new blog feature called Facts for Fiction. It'll be about the nonfiction books I read and how they could be useful for writing. I'm not sure how frequently I'll run this feature; it'll depend on how often I read a book that's worth discussing.
The book that inspired this feature is called The Geography of Nowhere: The Rise and Decline of America's Man-Made Escape. (It's by James Howard Kunstler.) I originally thought it was going to focus on suburbs and the psychological and social effects they have on their residents. Instead, this book is more about architecture, landscape design, and cars. The author's premise is that the promotion of the private car over public transport has not only encouraged the development of the suburbs but resulted in boring buildings and less space devoted to civic and public buildings. Our environment has been designed for cars, not people. Kunstler complains that big businesses build without considering local communities. Although he discusses quality in a way that reminds me of Zen and the Art of Motorcycle Maintenance, his ranty tone can be a bit off-putting at times. Still, I did find this book useful for its ideas on how to design cities for comfort--or lack of comfort. He recommends mixed-use communities that have residents of different classes, a unified style, and transitions from public to private areas. (Some of these things, such as mixed-use, are actually against the law in many areas, which only serves to keep us dependent on driving to the store for a gallon of milk. This may not be sustainable in the long run.) Still, most of this book focuses on the negative, so perhaps it might be more useful if you're planning to write a dystopia.
Have you read this book? If so, what did you think of it? What do you think of American cities and suburbs?
The book that inspired this feature is called The Geography of Nowhere: The Rise and Decline of America's Man-Made Escape. (It's by James Howard Kunstler.) I originally thought it was going to focus on suburbs and the psychological and social effects they have on their residents. Instead, this book is more about architecture, landscape design, and cars. The author's premise is that the promotion of the private car over public transport has not only encouraged the development of the suburbs but resulted in boring buildings and less space devoted to civic and public buildings. Our environment has been designed for cars, not people. Kunstler complains that big businesses build without considering local communities. Although he discusses quality in a way that reminds me of Zen and the Art of Motorcycle Maintenance, his ranty tone can be a bit off-putting at times. Still, I did find this book useful for its ideas on how to design cities for comfort--or lack of comfort. He recommends mixed-use communities that have residents of different classes, a unified style, and transitions from public to private areas. (Some of these things, such as mixed-use, are actually against the law in many areas, which only serves to keep us dependent on driving to the store for a gallon of milk. This may not be sustainable in the long run.) Still, most of this book focuses on the negative, so perhaps it might be more useful if you're planning to write a dystopia.
Have you read this book? If so, what did you think of it? What do you think of American cities and suburbs?
Monday, April 21, 2014
Blog Ring of Power: Michelle Pickett
Today for the Blog Ring of Power, Michelle Pickett (a fellow member of the Scene 13 group blog) will tell us about her current work: Milayna. You can find the rest of her interview at these links:
About You : The Writing Life : The Creative Process : Words of Wisdom
Tell us about your new book and when it is out? Where can people purchase it?
My newest book is a paranormal romance titled, “Milayna.” It releases December 2nd. It can already be pre-ordered on Amazon.com, Barnes&Noble, and Walmart.com.
Is there anything new, unusual, or interesting about your book? How is it different from other books on the same subject?
My editor said she was excited to edit the book because it differed from others because the demi-angels and demi-demons were both students in high-school. They were the same age, look, and had the same characteristics as each other. This is different than most books dealing with demons. Although, there are other “levels” of demons in the book.
Another thing that makes “Milayna” different than other books is the main character, Milayna, has visions of future events. These are generally events that are going to happen in the near future and close to her. She must step in and shield humans from any danger created by the event, whatever it may be. And when I say “must,” I mean it literally. She has no control over her actions. Her body takes over and she is compelled to step in and “right the wrong.” While the other demi-angels in the group have visions, too, Milayna’s are strongest—for reasons I won’t go into.
What was the hardest part of writing this book?
This question relates to the next question. The favorite part of the book to write was when Milayna found out she was a demi-angel. She had trouble dealing with the change in her life. While it was my favorite part of the book to write, it was also the hardest because while I wanted her to be upset by the news, I didn’t want her to seem like a brat. So there was a fine line between what readers would accept as normal irritation versus being a spoiled brat.
What was your favorite chapter (or part) to write and why?
My favorite part, without giving too much away, was when Milayna found out she is a demi-angel. She just didn’t say, “Oh, I’m a demi-angel? Okay. Cool.” And go about her business. Some books have characters that react to news like that. “I’m a vampire? Yay, let’s go have a drink!” Yeah, I don’t think so. That’s not how a person would react—at least not a normal person.
When Milayna finds out she’s a demi-angel she isn’t that accepting of the news. She doesn’t take it well and isn’t happy with the new turn her life has taken. I tried to write the part a little closer to how a person might act when thrown a curve ball like that. I hope I managed to get it right.
If you had to do it all over again, would you change anything in this book?
There are always things I’d change. I look at PODs and think, “Geez, I really wish I would have done this, this, and this.” But, that ship has sailed. So I try not to dwell on what I can’t change and instead make my next book stronger with what I’ve learned. Because with each book an author writes, we learn. Not necessarily because we’re such great writers, but because we get feedback from beta readers, editors, and finally reviews from readers. All these combine and give us a wealth of information that we can use to make our next books stronger and, hopefully, what readers want to see.
Is there a message in your novel that you want readers to grasp?
There really isn’t a message in “Milayna.” The book itself is written for escapism, and I hope that’s what I give my readers. But I do have a message: I write because I love to write. But I also write because I hope readers will enjoy the stories I have to tell. If so, please let me know by leaving a review on Amazon or B&N. And drop me a note and let me know what you like and what you’d like to see. My message is simple. I write for you. Tell me what makes you happy, what takes you out of this life and transports you to another world for a few hours, and that’s what I’ll try to give you.
Tell us about your book’s cover – where did the design come from and what was the design process like?
Robin Ludwig Designs, INC did my cover. I was online going through her portfolio and found a cover I fell in love with. I knew it was “Milayna.” I loved the colors swirling around her, almost like good and evil. Then Robin put angel wing overlays all over the design. They are hard to see where the color is darkest, but you can really see them on the model’s face and behind my name. I loved this idea because Milayna doesn’t have wings in the book, but I wanted to have something that represented angels, and I thought this was a great compromise.
The process was incredibly easy. I told Robin what piece in her portfolio I was using as inspiration and she did the rest. I hope to use Robin for the next two books in the trilogy so the books coordinate. I’d like to see each one done in the same format, but maybe using different colors for each cover and the model in a different pose and maybe with another character from the story.
About You : The Writing Life : The Creative Process : Words of Wisdom
Tell us about your new book and when it is out? Where can people purchase it?
My newest book is a paranormal romance titled, “Milayna.” It releases December 2nd. It can already be pre-ordered on Amazon.com, Barnes&Noble, and Walmart.com.
Is there anything new, unusual, or interesting about your book? How is it different from other books on the same subject?
My editor said she was excited to edit the book because it differed from others because the demi-angels and demi-demons were both students in high-school. They were the same age, look, and had the same characteristics as each other. This is different than most books dealing with demons. Although, there are other “levels” of demons in the book. Another thing that makes “Milayna” different than other books is the main character, Milayna, has visions of future events. These are generally events that are going to happen in the near future and close to her. She must step in and shield humans from any danger created by the event, whatever it may be. And when I say “must,” I mean it literally. She has no control over her actions. Her body takes over and she is compelled to step in and “right the wrong.” While the other demi-angels in the group have visions, too, Milayna’s are strongest—for reasons I won’t go into.
What was the hardest part of writing this book?
This question relates to the next question. The favorite part of the book to write was when Milayna found out she was a demi-angel. She had trouble dealing with the change in her life. While it was my favorite part of the book to write, it was also the hardest because while I wanted her to be upset by the news, I didn’t want her to seem like a brat. So there was a fine line between what readers would accept as normal irritation versus being a spoiled brat.
What was your favorite chapter (or part) to write and why?
My favorite part, without giving too much away, was when Milayna found out she is a demi-angel. She just didn’t say, “Oh, I’m a demi-angel? Okay. Cool.” And go about her business. Some books have characters that react to news like that. “I’m a vampire? Yay, let’s go have a drink!” Yeah, I don’t think so. That’s not how a person would react—at least not a normal person.
When Milayna finds out she’s a demi-angel she isn’t that accepting of the news. She doesn’t take it well and isn’t happy with the new turn her life has taken. I tried to write the part a little closer to how a person might act when thrown a curve ball like that. I hope I managed to get it right.
If you had to do it all over again, would you change anything in this book?
There are always things I’d change. I look at PODs and think, “Geez, I really wish I would have done this, this, and this.” But, that ship has sailed. So I try not to dwell on what I can’t change and instead make my next book stronger with what I’ve learned. Because with each book an author writes, we learn. Not necessarily because we’re such great writers, but because we get feedback from beta readers, editors, and finally reviews from readers. All these combine and give us a wealth of information that we can use to make our next books stronger and, hopefully, what readers want to see.
Is there a message in your novel that you want readers to grasp?
There really isn’t a message in “Milayna.” The book itself is written for escapism, and I hope that’s what I give my readers. But I do have a message: I write because I love to write. But I also write because I hope readers will enjoy the stories I have to tell. If so, please let me know by leaving a review on Amazon or B&N. And drop me a note and let me know what you like and what you’d like to see. My message is simple. I write for you. Tell me what makes you happy, what takes you out of this life and transports you to another world for a few hours, and that’s what I’ll try to give you.
Tell us about your book’s cover – where did the design come from and what was the design process like?
Robin Ludwig Designs, INC did my cover. I was online going through her portfolio and found a cover I fell in love with. I knew it was “Milayna.” I loved the colors swirling around her, almost like good and evil. Then Robin put angel wing overlays all over the design. They are hard to see where the color is darkest, but you can really see them on the model’s face and behind my name. I loved this idea because Milayna doesn’t have wings in the book, but I wanted to have something that represented angels, and I thought this was a great compromise.
The process was incredibly easy. I told Robin what piece in her portfolio I was using as inspiration and she did the rest. I hope to use Robin for the next two books in the trilogy so the books coordinate. I’d like to see each one done in the same format, but maybe using different colors for each cover and the model in a different pose and maybe with another character from the story.
I'm a wife, mother, author, reader, although
not always in that order. I write young
adult urban fantasies, science/fiction, paranormal, and young adult and new
adult contemporary romances. Reading was one of my earliest passions, writing
soon followed. I began writing seriously during college where I graduated Summa
Cum Laude with a degree in accounting. Why I chose a career that frowns on
creativity remains a mystery.
Red Bull or Monster Khaos are my coffee of
choice. I’m addicted to Reese’s peanut butter cups and peanut butter M&Ms
and eat way too many while I write (I’m currently trying to kick this habit). I
have an abnormal obsession with hoodies and can’t write without one. I hate to
cook, but love to watch cooking shows. I’m a hopeful romantic; I love a
swoon-worthy ending that will give me butterflies for days. And books that keep
me thinking of them long after I’ve finished the last page.
I was born and raised in Flint, Michigan, but
now live in a sleepy suburb of Houston, Texas with my extremely supportive, not
to mention gorgeous husband, three school-aged kids, a 125 pound “lap dog,” and
a very snooty cat.
BlogLovin’:
http://www.bloglovin.com/blog/5222595
Amazon Author Page: http://www.amazon.com/Michelle-K.-Pickett/e/B008QWUA5O/ref=sr_ntt_srch_lnk_2?qid=1392760710&sr=8-2
Milayna…
From the bestselling author of PODs comes an unforgettable
tale of action, intrigue, and following your heart in the midst of betrayal.
It's hard being good all the time. Everyone needs to be bad
once in a while. But for seventeen-year-old Milayna, being good isn't a choice.
It's a job requirement. And it's a job she can't quit. Born a demi-angel,
Milayna steps in when danger and demons threaten the people around her, but
being half angel isn't all halos and happiness. Azazel, Hell's demon, wants
Milayna's power, and he'll do anything to get it. But he only has until her
eighteenth birthday, after which she becomes untouchable.
With the help of other demi-angels, Milayna thwarts the
trouble Azazel sends her way. Fighting with her is Chay. He's a demi-angel
who's sinfully gorgeous, and Milayna falls hard. But is Chay her true love...or
her nemesis in disguise?
Because when she learns of a traitor in her group, there's
no one she can trust...not even the one she loves.
Goodreads:
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