It's time once again for another Blog Chain
Pooooost! (I need to hire an announcer with a deep voice to do that line.) This round,
Carolyn (better known as Archy) chose the topic:
How do you keep from telling the same story over and over? What are your tips and tricks for finding fresh ideas and adding new twists to your work?Annie posted before me, and
Jessica will finish the chain. This is different from our normal blog chain order, so feel free to explore all the links in the chain from the beginning or by visiting the blogs listed on the sidebar.
The Bible says there is nothing new under the sun, and that applies to fiction. There are supposedly only
36 types of plots, including some so specific to Greek tragedy that they aren't used anymore. So perhaps it's understandable -- and to some extent
forgivable -- if an author repeats the same themes in different books. It becomes a problem if the books become too predictable for readers or if the author never pushes her limits and becomes stagnant, failing to grow as a writer.
I know I have repeated some elements from my first serious novel,
Day of All Seasons, in my current one,
Across Two Universes. Day focuses on the relationships among a quartet of female magic-users;
ATU also has a group of four teenagers working together toward a goal, though only one of them has a supernatural ability. Both stories were inspired by the Beatles, so that explains the quartet. Oddly, though I initially conceived of all of these characters as straight, after I wrote each book, one of the secondary characters became bisexual and interested in the lead character. Talk about a way to create complications! I did address this in the sequel to Day, but I'm not sure how I want to handle it in
ATU. It might put some readers off if Paul is in love with his best friend's sister while his best friend is
infatuated with him. (It might be easier if Yvonne and Scott weren't related.
Hummm...) Another trope I tend to repeat is altered consciousness, especially when combined with magic or anything indistinguishable from magic. In both books, when the characters use their special abilities, they become disconnected from the "real world" to manipulate organs, cells, or even molecules. As a scientist, I take a very rational approach to my magic. (That sure sounds rational, doesn't it?) The laws of the universe can't change too much, or else life would be impossible, and I wouldn't have any characters for my stories.
So, how do I keep these two books distinct? For one thing, the settings are quite different. Day is set in a fantasy land similar to Victorian England, while the other is science fiction complete with spaceships, wormholes, clones, and alternate universes. The plots also follow different structures.
ATU is a quest story, with Paul forced to make a journey to obtain something and learn about himself. My characters in Day stay in their country, but they must learn to work together to ward off a national disaster. Most importantly, the characters are different. When I read a lot of books by the same author, I notice more if they reuse the same types of characters (e.g., mistreated teenager, older man in love with a teenage girl) than if they recycle the plot. (Sometimes, though, if they recycle the characters, the plot stays the same too.) The characters in Day come from different social classes: a noblewoman, a farmer's daughter, the daughter of a foreign merchant, and a seamstress. In
ATU, the characters all grew up together on the same spaceship, but they still have widely different
temperaments and skills. There are two boys and two girls, so that alone makes the interpersonal relationships much different that it is for a group of four women. Finally, the lead characters are different. In Day, the noblewoman Gwen is intelligent and rational but arrogant and full of class
prejudice in the beginning. Paul is also intelligent, but he's more impulsive and intuitive, plus he's wracked with guilt.
I didn't consciously plan these differences; they arose over the course of the story. Instead, what I try to do is write a tight
POV. Even though each character is a part of me, they have unique voices and perspectives. It was challenging to write Day using each woman as a
POV character; I look back on it now and am amazed I managed to write it. (That said, it's way too long and needs a serious overhaul.) Paul narrates most of
ATU, but I know how his friends would tell their tales. I'd also like to point out that there was a gap of several years between Day and
ATU. I've been through a lot of changes in the meantime, and that affects how I write and what themes interest me. (Previous posters have made that point earlier in the chain. Remember what I said about there being nothing new under the sun?)
To answer Carolyn's question, I would suggest exposing yourself to new experiences and developing different types of characters in your stories. Brainstorming might help you come up with new backgrounds or personalities for your
characters. Other than that, I would suggest focusing on improving your writing skills (it doesn't hurt to try new techniques) and your current WIP to the best of your ability. New ideas will come to you if you're open to them. After all, my next two novel ideas don't involve quartets.
Do you write romantic relationships in your books? If so, what do you do to show the attraction between your characters? What problems do your characters encounter? What qualities do you think make a romantic relationship work in fiction? If you wish, feel free to include examples of your favorite couples. 
