Back on the Blog Chain: How Real Are Your Characters?

It's time once again for another entry in our ever-growing blog chain about writing. The current topic is, "How real are your characters, and how much do you know about them?" Please go here and here to read the previous and next entries in the chain. I also have links to all of the blogs in the sidebar.

Before I start discussing characters, I'd like to discuss briefly the relationship between fiction and reality, as this topic has inspired me to mull about that. We read fiction for various reasons; sometimes we want a mirror of our own reality, and sometimes we want to escape from it. (I've lived in Midwestern suburbs for most of my life, and although the Midwest is my home, there are times when it's so mundane I need to escape from it mentally. That's one of several reasons why I love science fiction and fantasy.) But when we read or watch movies or TV, we want to believe in them, at least as long as we're actively engaged in them. So perhaps it's more important to find out what makes readers believe in the reality of characters. Since writers generally start off as readers, and since both writer and reader are needed to bring a story to life, I'll talk first about the writing side of the equation before going into the readers' perspective.

As Heather pointed out in her own entry on this topic, writers almost always feel their characters are real to them; otherwise, the writers wouldn't feel inspired to write about the particular characters in the first place. I haven't tried to obtain Social Security numbers for my characters and claim them as dependents on my taxes, but they still feel like real people to me, perhaps citizens of the universe next door. My characters have strengths and weaknesses, like anyone you meet on the street. They have their own dreams and interests, even ones not relevant to the story. I also have a fairly good idea of what happens to them before and after the beginning of the book.

As for how much I know about my characters, it changes over time. Although I do get to know my characters in my head before I start writing, I generally don't write out a full-blown character sketch for them before my first draft. Even if I do try to create a mini-biography of the main character, it's often incomplete on paper, as I hold more details in my head. Other things come to me as I write. For instance, I have two incomplete trilogies, one fantasy and one science fiction. In both series, after I finished the first book, a secondary character who already had a love interest "told" me that he or she was bisexual and in love with the main character as well. Talk about a plot twist! I worked that into my fantasy series, but I'm still not sure how I want to handle it with the science fiction series.

Although at times my characters will rebel as described above, at other times, I'll come up with a plot twist that feels right for them. I can change the details from draft to draft, but the end result stays the same. In Across Two Universes, Paul's mother is murdered at the beginning of the story, though I've changed how and where it happens. But I could not start afresh and save her; that would be a different book. I do other cruel things to him in the sequel, enough for me to shed real tears over him. Paul may not be a real person, but he inspires real emotions in me.

This brings me to my final point: no tears in the writer, no tears in the reader. (Edit: this line isn't from me; it's from Robert Frost. I should have Googled first before quoting.) How do we convince our readers that our characters are real? I think part of it has to do with the telling detail, using all of the senses to bring the world to life. Small details about the characters, like quirks or favorite things, can also make them seem real. But for me, what gets me involved with my characters is their emotional lives, and those need to be portrayed realistically as well. If you can convince your readers that yes, someone would really react a certain way in a given situation, then they too will start thinking of your characters as real.

Blog Chain: Where Do You Get Your Ideas?

As I mentioned in my last post, I've joined a blog chain created by members of QueryTracker, a site devoted to helping writers keep tabs on their submissions to agents. (I'm a member too, but since Across Two Universes isn't ready for submission yet, I haven't used the tracking feature.) The current topic is, "Where do you get your ideas from?" You can follow the chain by going here and here. I've also linked to all of the chain members' blogs in the sidebar, so go ahead and check them out.


It's interesting that this is my first topic in the blog chain, since I wrote an essay about ideas for my website back in 2002. You can still read it here, if you'd like. In that essay, I talk about how the Beatles, particularly John Lennon, inspired the novels I was working on then. One of those novels got sent around to various agents (and to Tor) before being trunked; another has gone extensive revision and is currently titled Across Two Universes. Of course, I wrote that essay six years ago, and I've had other projects come into my life since then. I'll summarize briefly what inspired them.


Much of my inspiration comes from my daily life. My short story "A Reptile at the Reunion" came about from the combination of an invitation to my grad school reunion (which I skipped) and a writing challenge in a magazine. Other short stories (which I've started but not finished) came from a bout of insomina I had this winter or non-buyer's remorse I felt after passing on a beautiful silk blazer on sale up in Madison. These incidents made me think of ways to lure the "sheep of sleep" (the ones you're supposed to count) back into a person's life or what it would be like to discover a chest full of the things you once wanted but didn't get. Interests such as dealing with the conflict between evolution and science inspired me to create an alien race that has a unique way to handle this conflict--except that for one individual, it doesn't work. Yet another short story I need to finish.


Other times I get ideas from reading. Sometimes I get a little frustrated when I find too much of the same type of story on the bookshelves of my local B&N. There are stories that I think need to be told, even if they don't use "conventional" (i.e., commerically popular) types of heroines or themes. For instance, other than Julie Kenner's Demon series, I don't see too many mothers featured in stories. You could say my NaNoWriMo project from last year, about a working mother who gains the ability to turn into an owl, was inspired partly by a desire to find more stories with heroines I could relate to. Part of this idea also came from everyday life. I often see red-tailed hawks as I drive around, so I wondered what it would be like for one of them to be a human in disguise. I thought at first of a stay-at-home mother, but since the character I came up with is divorced, she has to work to support herself and her daughter. I also changed the bird to an owl so she could go around at night (and interact with werewolves), but I have plans to bring a hawk-person into that story as I re-think the plot.


I mentioned before that one of my short stories was inspired by a writing challenge in a magazine. After Firestorm of Dragons was published, I recieved an invitation from the editor to submit something for another themed anthology. (I don't know what the status of this project is, so I don't feel comfortable sharing the topic here.) This might be one of the hardest things for an author, to find an idea about a topic someone else picked. I did some research and thought about what kind of characters could bring a fresh perspective to this topic. Ultimately I did come up with an unusual take on a stock character, which then helped me determine the rest of the plot for the story. Unfortunately, I didn't finish the story before the deadline, but I may go back to it at some point.


I'll finish this post by repeating a point I made back in 2002; an idea alone isn't enough to make a story. Sometimes you need to combine several ideas before you can create the characters and plot necessary to make an idea come to life; other times, you need to interrogate the idea to generate the characters and plot. But when you learn authors such as Mercedes Lackey can write stories about paper bags (see "Roadkill"), you realize there are more ideas out there than you can ever write about.

OK, I think this finishes the blog chain for this topic. Tune in soon when I go Back on the Chain Gang!