Happy Halloween! To all of you who are participating in National Novel Writing Month tomorrow, good luck! I have too many works-in-progress to start a new one for NaNoWriMo this year. I'm working on the final section of Scattered Seasons, the second book in the Season Avatar series, so my modest goal for the month is to finish it. Once that's done, I'll return to the Catalyst Chronicles series for the rest of the year.
Anyway, here are some of the most interesting science news articles I read this week:
Growing a blood vessel in a week
Ebola's evolutionary roots more ancient than previously thought
Newly discovered microbe is key in climate change
Dinosaur noses enhanced smelling and cooled brain
How cells know which way to go
It's better for memory to make mistakes while learning
Cutting power could dramatically boost laser output
Scientists engineer toxin-secreting stem cells to treat brain tumors
Slowing the biological clock to aid pregnancy
Have a good weekend, everyone, and see you Monday!
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Friday, October 31, 2014
Wednesday, October 29, 2014
An interview with Lashlor Leaflin from Vanessa Finaughty’s Wizard of Ends
Today I'm hosting a character interview with Lashlor Leafin from Vanessa Finaughty's Wizard of Ends. This is part of a month-long blog tour; you can find the link to the complete schedule at the end of the interview.
Without spoiling it for everyone, all I can say is that I do my best
to protect Queen Narraki Dragonsbane from a powerful sorceress and her friends,
and, in the process, we’re chased by creatures of dark magic.
2. What about in Book 2,
Dark Creature?
I’m trapped in the Mountains of Eclador, which have been enchanted
by an ancient sorcerer. Sadly, Rune Arcana is trapped with me! At times, her
presence makes the situation even more stressful than it already is, especially
at the end….
3. Do you think you and the
sorceress Rune Arcana will ever be a couple again, and why?
[He snorts.] Absolutely not! She doesn’t seem to have grown up much
since we last saw each other – I mean, she still uses magic on a whim. I can’t
live with someone like that. It’s irritating.
4. What’s your greatest
achievement and do you think you will achieve greater in the future? Why?
Most people would say my greatest achievement was King Lanaran
Dragonsbane offering me the official title of Wizard of Ends. I doubt I will
achieve greater, because I don’t really enjoy all the fuss – it usually means
having to use magic unnecessarily, which everyone knows I’m loath to do.
5. What do you do for a
living, and do you enjoy it?
[He looks embarrassed.] I’m not working at the moment. I’ve only
moved to Ends recently, and am still collecting herbs so I can start selling my
herbal cures again. It’s not really necessary in Ends – to earn money, I mean.
The king ensures everyone has food, clothes and a place to sleep. Still, one
never knows when one might want to move on, and the other kingdoms’ rulers
aren’t nearly so generous.
6. What’s your biggest
regret?
That nobody listened to me when I told them Undassan should not be
trusted. It might have spared us from having to flee from the creatures of dark
magic.
7. What quality/trait do
you find vital in a friend?
Respect for others.
8. How do you decide if
someone is trustworthy?
I don’t. Time reveals all.
9. What do you do for fun?
I enjoy mountain climbing, swimming and walking through the forest,
and practising my archery skills is a fun pastime too.
10. Do you have any
siblings, and, if so, do you get on with them?
[He scowls.] I have an older sister and no, we don’t get on. She’s
rather… [He shakes his head.] No, I’d rather not get into that, sorry. She
might read this, you know!
11. Where do you believe
people go when we die?
The goddess accepts us into a pleasant afterlife if we please her
while in possession of our human bodies. If she’s displeased, she either sends
you back as something horrid, or puts you into an unpleasant situation when she
sends you back. She might also send you back if you have yet to learn important
life lessons. If she’s really
displeased, you’ll be sent somewhere unimaginably terrible.
12. Who do you like better:
King Lanaran Dragonsbane or Queen Narraki Dragonsbane, and why?
Queen Narraki. She gave me the benefit of the doubt when no one
else, including the king, would. That said, I still like the king – most of the
time.
13. You only moved to the
Land of Ends shortly before your adventures began in Book 1. After everything
you were dragged into, do you regret moving there?
There were moments when I did, yes. For the most part, though, I
have no regrets. Ends is still the best land to live in.
14. Where can readers learn
more about Wizard of Ends?
Readers can follow the virtual book tour here.
Special discounts and freebies will be on offer throughout, and plenty of sneak
peeks into the books and characters.
Wizard of Ends: A powerful sorceress wants the Queen of Ends dead, hoping her demise
will render the king unable to defend his crown. Only the wizard Lashlor
Leaflin is in a position to protect Queen Narraki Dragonsbane, but he avoids
using magic – at almost any cost. With creatures of darkness hunting the queen,
however, he may be left with little choice but to call on the power he holds
within.
Wizard of Ends, Book 2: Dark Creature:
The Queen of Ends has been cursed into a rabid creature of darkness. Only Lashlor’s old flame, Rune Arcana, might be able to remove the curse. Lashlor believes he can find Rune in the Mountains of Eclador. The only trouble is – Rune now despises him, and, in all of recorded history, no one has ever returned from these mountains.
The Queen of Ends has been cursed into a rabid creature of darkness. Only Lashlor’s old flame, Rune Arcana, might be able to remove the curse. Lashlor believes he can find Rune in the Mountains of Eclador. The only trouble is – Rune now despises him, and, in all of recorded history, no one has ever returned from these mountains.
Vanessa Finaughty is an author of many genres who now focuses on fantasy
and science fiction. She’s published 15 books, of which 6 are fantasy. Vanessa
grew up in Cape Town, South Africa, and still lives there with her husband of
fifteen years, her baby daughter and plenty of furry, four-legged ‘children’.
Vanessa has always been passionate about books, and knew from a
young age that she wanted to write them one day. She loves animals, coffee and
the smell of wet grass, and hates liars, sweltering weather and long queues. Her
interests include reading, photography, the supernatural, mythology, aliens and
outer space, ancient history, life’s mysteries and martial arts, of which she
has five years’ experience.
Links
Publication dates
Wizard of Ends, Book 1: 9 October 2014
Wizard of Ends, Book 2: DarkCreature: 23 October 2014
Monday, October 27, 2014
Blog Ring of Power--T.W. Fendley
Today on the Blog Ring of Power, I'm hosting our own T.W. Fendley as she releases her newest book, The Labyrinth of Time. This is the first part of the interview; you can find the second part on Emily's blog.
Tell us about your early works—what was the first thing you ever wrote?
Like many young girls, I collected Breyer model horses. Some of the first stories I wrote were about them--Scheherazade, Satan, Count Whirlaway, Velvet, Goldenboy, and the rest of the herd. Their stories were as exotic or as common as their names. In Middle School (we called it Junior High), I won a national youth essay contest about tuberculosis that featured my first imagined character, Timothy B. (T.B.) Mouse.
When did you first consider yourself a professional writer?
After a small press offered to publish my historical fantasy novel, Zero Time, it felt okay to say I was an author. Of course, there’s nothing like holding a print copy of a book you’ve written to make it seem “real.”
What genres do you write?
I write science fiction, fantasy, historical fantasy, horror, and fusions of all those. I write for adults and young adults.
What is your favorite theme/genre to write about?
I love cycles of all kinds, but particularly those involving the Sun. An early fan of Isaac Asimov’s Foundation series, I was totally inspired by Hari Seldon and psychohistory. You’ll also often find undercurrents of Andean and Mesoamerican mythology and history in my work.
If you couldn’t be an author, what would your ideal career be?
In college, I was torn between art and journalism. I got journalism scholarships, and found I could graduate quicker as a J-major since art courses required studio time. That was important since I was a single mom and working part-time, too. The great thing about journalism is it gives you permission to be curious. Of course, writing fiction is a lot different from journalism, but I get to do research. I still dabble in watercolor, and I’m married to an artist.
What is your writing process? Do you follow a regular routine? Do you use pen and paper or computer? Work at home or at the library/Starbucks, etc.
Since I took early retirement in 2007 to write, my lack of discipline has surprised me. It’s like there’s a little voice in my head that says, “You’ve been on deadlines all your life, forget about it!” Or maybe I’ve learned how to procrastinate? Anyway, I still intend to write on my WIP for an hour or two each day, but so far it’s not happening regularly. That’s why my critique partners have written twice as many books as I have! Of course, there’s a lot to the business of writing besides creating new stories, and I spend a lot of time each day doing that. I have a home-made stand-up desk where I do most of my work. Sometimes I join a great group of writers who meet weekly at a local coffee shop, but I rarely get much done there except editing and chatting.
How much time per day do you spend on your writing?
I spend at least half the day doing writing-related work—drafting or editing my novel, updating my blogs, marketing, doing layout, attending critique groups or Writers Guild meetings. It’s amazing how much time it takes to learn everything you need to know as an author.
What has been the most surprising reaction to something you’ve written?
When I read a story a friend’s story in a horror magazine, it made me look at my own work a bit differently. I decided to enter a short story I’d written in the Writer’s Digest Horror competition. It took second place! That was definitely a shocker to me because I had always thought it was science fiction.
Other than your family, what has been your greatest source of support?
For several years, I’ve met twice monthly with two critique partners—Cole Gibsen and Brad R. Cook. They are amazing writers and wonderful friends. I probably wouldn’t still be writing without their inspiration and encouragement.
How do you deal with rejection and/or negative reviews?
Although reviews are terribly important to a book’s success, you have to write for yourself, not to please others. Otherwise, your self-esteem is at the whim of whoever decides to comment. Even though I do the best I can, I know there’s always room for improvement. People are entitled to their opinions, and generally there’s at least a nugget of valuable advice in negative comments that will help me improve the next story.
Where do you get your story ideas?
Some of my ideas come from dreams, but many evolve from trying to puzzle out a “what if” problem. “What if” only two teens could access messages embedded in stones in the age of dinosaurs? “What if” the stories engraved on the stones are truly warnings? Like many things, I think this has to do with my personality type – I’m an INFP (Introverted/Intuitive/Feeling/Perceiving) on the Myers-Briggs test. I have a talent for making strange connections between unrelated things, and that usually gets the creative wheels turning.
Do you have a specific writing style?
My natural style is sparse, partly due to my journalistic training. One of the hardest things for me is to remember the characters’ internalization has to be written on the page, not just imagined. That’s where my critique partners are worth their weight in chocolate.
How do you deal with writer’s block?
Generally my writer’s block occurs because I’ve let the story get cold while working on other projects. Then I have to go back and re-read a few chapters to refresh myself on the story arc. Usually I do some editing since problem areas are more likely to show up when you look at your story with “fresh eyes.”
Do you use critique partners or beta readers? Why or why not?
I use both critique partners and beta readers whenever possible. As a writer, you’re too close to your own work. What makes perfect sense to you may have a totally different meaning to a reader, and you’re likely to miss grammatical or spelling errors because you’ll see what you think it says instead of what is really written. Also, every writer has “pet words” that crop up too often, and even word search isn’t as good at catching things like that as an impartial reader.
How much time do you spend on research? What type of research do you do?
I LOVE research, and tend to get carried away with it. For my first novel, I gathered information for about ten years before I finished ZERO TIME. That included going to conferences about the Inca, Maya and Aztec cultures; taking courses on archeoastronomy; traveling to the Yucatan, Peru and American Southwest; going to museums; reading books on the culture, plants, mythology and history. For THE LABYRINTH OF TIME, mostly I used Javier Cabrera Darquea’s book, The Message of the Engraved Stones of Ica, as a resource, plus my own recollections and impressions from our tour of the Ica museum and Peru. Of course, some of my previous years of research fed into the new book, too. That’s the good thing about research—you never know when you’ll need some obscure fact.
Tell us about your early works—what was the first thing you ever wrote?
Like many young girls, I collected Breyer model horses. Some of the first stories I wrote were about them--Scheherazade, Satan, Count Whirlaway, Velvet, Goldenboy, and the rest of the herd. Their stories were as exotic or as common as their names. In Middle School (we called it Junior High), I won a national youth essay contest about tuberculosis that featured my first imagined character, Timothy B. (T.B.) Mouse.
When did you first consider yourself a professional writer?
After a small press offered to publish my historical fantasy novel, Zero Time, it felt okay to say I was an author. Of course, there’s nothing like holding a print copy of a book you’ve written to make it seem “real.”
What genres do you write?
I write science fiction, fantasy, historical fantasy, horror, and fusions of all those. I write for adults and young adults.
What is your favorite theme/genre to write about?
I love cycles of all kinds, but particularly those involving the Sun. An early fan of Isaac Asimov’s Foundation series, I was totally inspired by Hari Seldon and psychohistory. You’ll also often find undercurrents of Andean and Mesoamerican mythology and history in my work.
If you couldn’t be an author, what would your ideal career be?
In college, I was torn between art and journalism. I got journalism scholarships, and found I could graduate quicker as a J-major since art courses required studio time. That was important since I was a single mom and working part-time, too. The great thing about journalism is it gives you permission to be curious. Of course, writing fiction is a lot different from journalism, but I get to do research. I still dabble in watercolor, and I’m married to an artist.
What is your writing process? Do you follow a regular routine? Do you use pen and paper or computer? Work at home or at the library/Starbucks, etc.
Since I took early retirement in 2007 to write, my lack of discipline has surprised me. It’s like there’s a little voice in my head that says, “You’ve been on deadlines all your life, forget about it!” Or maybe I’ve learned how to procrastinate? Anyway, I still intend to write on my WIP for an hour or two each day, but so far it’s not happening regularly. That’s why my critique partners have written twice as many books as I have! Of course, there’s a lot to the business of writing besides creating new stories, and I spend a lot of time each day doing that. I have a home-made stand-up desk where I do most of my work. Sometimes I join a great group of writers who meet weekly at a local coffee shop, but I rarely get much done there except editing and chatting.
How much time per day do you spend on your writing?
I spend at least half the day doing writing-related work—drafting or editing my novel, updating my blogs, marketing, doing layout, attending critique groups or Writers Guild meetings. It’s amazing how much time it takes to learn everything you need to know as an author.
What has been the most surprising reaction to something you’ve written?
When I read a story a friend’s story in a horror magazine, it made me look at my own work a bit differently. I decided to enter a short story I’d written in the Writer’s Digest Horror competition. It took second place! That was definitely a shocker to me because I had always thought it was science fiction.
Other than your family, what has been your greatest source of support?
For several years, I’ve met twice monthly with two critique partners—Cole Gibsen and Brad R. Cook. They are amazing writers and wonderful friends. I probably wouldn’t still be writing without their inspiration and encouragement.
How do you deal with rejection and/or negative reviews?
Although reviews are terribly important to a book’s success, you have to write for yourself, not to please others. Otherwise, your self-esteem is at the whim of whoever decides to comment. Even though I do the best I can, I know there’s always room for improvement. People are entitled to their opinions, and generally there’s at least a nugget of valuable advice in negative comments that will help me improve the next story.
Where do you get your story ideas?
Some of my ideas come from dreams, but many evolve from trying to puzzle out a “what if” problem. “What if” only two teens could access messages embedded in stones in the age of dinosaurs? “What if” the stories engraved on the stones are truly warnings? Like many things, I think this has to do with my personality type – I’m an INFP (Introverted/Intuitive/Feeling/Perceiving) on the Myers-Briggs test. I have a talent for making strange connections between unrelated things, and that usually gets the creative wheels turning.
Do you have a specific writing style?
My natural style is sparse, partly due to my journalistic training. One of the hardest things for me is to remember the characters’ internalization has to be written on the page, not just imagined. That’s where my critique partners are worth their weight in chocolate.
How do you deal with writer’s block?
Generally my writer’s block occurs because I’ve let the story get cold while working on other projects. Then I have to go back and re-read a few chapters to refresh myself on the story arc. Usually I do some editing since problem areas are more likely to show up when you look at your story with “fresh eyes.”
Do you use critique partners or beta readers? Why or why not?
I use both critique partners and beta readers whenever possible. As a writer, you’re too close to your own work. What makes perfect sense to you may have a totally different meaning to a reader, and you’re likely to miss grammatical or spelling errors because you’ll see what you think it says instead of what is really written. Also, every writer has “pet words” that crop up too often, and even word search isn’t as good at catching things like that as an impartial reader.
How much time do you spend on research? What type of research do you do?
I LOVE research, and tend to get carried away with it. For my first novel, I gathered information for about ten years before I finished ZERO TIME. That included going to conferences about the Inca, Maya and Aztec cultures; taking courses on archeoastronomy; traveling to the Yucatan, Peru and American Southwest; going to museums; reading books on the culture, plants, mythology and history. For THE LABYRINTH OF TIME, mostly I used Javier Cabrera Darquea’s book, The Message of the Engraved Stones of Ica, as a resource, plus my own recollections and impressions from our tour of the Ica museum and Peru. Of course, some of my previous years of research fed into the new book, too. That’s the good thing about research—you never know when you’ll need some obscure fact.
T.W. Fendley is an award-winning author of historical fantasy
and science fiction for adults and young adults. She began writing fiction
full-time in 2007 after working twenty-five years in journalism and corporate
communications. In October 2011, L&L Dreamspell LLC published her
debut historical fantasy novel for adults, Zero Time. Her young adult
contemporary fantasy novel, The Labyrinth of Time, will be released in
November 2014. Her short stories are available on Kindle and Audible.
Teresa fell in love
with ancient American cultures while researching story ideas at the 1997
Clarion Science Fiction and Fantasy Writers’ Workshop. Since then, she’s
trekked to archeological sites in the Yucatan, Peru and American
Southwest. She serves on the board of the St. Louis Writers Guild, and
belongs to the Missouri Writers' Guild, Broad Universe, and Historical Novel
Society. She also practices remote viewing with the Applied Precognition
Project and studies shamanism. Teresa currently lives near St. Louis with her artist
husband and his pet fish.
You can find her
online at:
Can Jade restore the
Firestone’s powers before the First Men return to judge humanity?
Spending spring break
in Peru with her grandmother isn’t sixteen-year-old Jade’s idea of fun. She’d
much rather be with her friends at Lake of the Ozarks. Then she meets
Felix, a museum director’s son. Jade discovers only she and Felix can
telepathically access messages left on engraved stones in the age of dinosaurs.
Following the ancient
stones’ guidance, they enter the Labyrinth of Time and–with a shapeshifting dog’s
help–seek a red crystal called the Firestone. But time is running out before
the First Men return on the night of the second blue moon.